In 2007, I began blogging. It's been exciting to create consistently, sell my work around the world, and meet wonderful friends! I paint, teach, write, am a lover of nature, family & friends. You can view my latest studio work with comments about my process, tips about my techniques, and my thoughts on how faith, art, and life converge. Book mark me and visit again soon!
Another Small Gem! The table is set! Are you ready to be seated?
A little outdoor picnic on a warm spring day. Roses casually set into a pitcher, wine glass and plates ready to be filled, laughter and conversation with family and friends. Perfect!
During these last few wintery months, I've been experimenting and trying some new things - and I've nicknamed these small, but brilliantly colorful little paintings "Small Gems". They just remind me of gemstones, in a way; mostly because of their clear and brilliant color. Sparkling! They have been a lot of fun. Colorful, and using a free and looser style than I've done in a long while. Also, each of these is done on gesso board - which is a smooth, rigid surface and it allows for some very beautiful brushwork as layers are built up and the texture of the strokes shows through.
I'm interested to know what you think! Do you like these bright and happy colors? Do you like the looser style? Leave a comment for me...finding out what you think is very important to me!
Some of these have already found their new home, but please scroll down and see the ones that are available. Each is ready to ship and to frame. (Of course, if you really like one that has found a home, a similar one can be created!)
It's always fun to look back a little bit and see what has happened in the past few weeks. I've done some smaller paintings on gesso board. Working out some new ideas in color and in brushwork. Here's a little sampling of some of my explorations
I love the brilliant colors and experimenting with new ideas... What do you think? Do you love color too, and a painterly effect?
I was contacted by a design firm in San Francisco. They were interested in the drawing you see above, Curvature. I did this colored pencil drawing about 6 years prior...and had sort of forgotten about it! They thought it would be just right for a coffee company to use on their packaging - was I interested in selling the rights to it's use?
After some discussion, that's just what happened - and now, these months later, the bags have been printed. You can see the background of the coffee bag is a how they used my work. (And, I've been told that they are using the image on boxes too, but I haven't seen those yet)
It was only after our agreement that I found out it was Peet's Coffee that was the buyer! I couldn't be happier! They also bought the original work.
All of this came about rather unexpectedly, but most happily! I think that's called Serendipity!
Give Your Valentine Flowers that Never Fade! For my friends who are on my newsletter list, I'm offering a special 20% discount on these floral paintings until Valentine's Day. Now would be a great time to join my list and get a little Valentine's Day love! My list is secure and never shared. And you won't be inundated with mail from me either. You'll get an update about once a month. See below for how to join me, so you can receive some special offers and all the latest news!
(Please add $20 shipping in the US, IL residents please add 8% sales tax)
On a warm afternoon in late summer, most of the terrain is in shadow ... except for those few brightly lit spots of sunshine that seem to beckon. I was drawn to the beautiful reflective water with those distance spots of warm sunshine being the perfect complement to the shadowy greens.
Peaceful, serene and yet quite alluring.
Have you ever wondered how a painting gets started?
You can see the beginning steps for this painting by scrolling down a few entries or just click here! The research and the preparatory steps may surprise you!
I always find it interesting to see the process an artist uses in their work, don't you? My process is always being re-evaluated and perfected, so I don't feel like I have "arrived". But, these first steps do seem to work well to get a new painting started.
I start with a few thumbnails sketches:
Thumbnails are quite rough ~ they are a true sketch. In a thumbnail, I check out the composition - rearrange things if necessary, simplify a little, and see which format I think will work best. Here, I've tried a horizontal and square format - and below, I have used the vertical format. This is the format I think will work best, so I've made a few field notes here as well - mostly noting where lights and shadows play an important role.
When doing a value study, connecting the darker values is also important. This will help tie the composition together and allow the eye to flow along. Isolated dark values need to connect somehow to other dark values.
This is where artists may want to use a notan drawing to see that this is happening.
My next step it to work out values with a value study. It is a little more detailed than a thumbnail sketch, and I'm paying much closer attention to values. What I've found to be true is that values play an absolutely essential role in a believable landscape painting - well - probably ANY painting!! You can see below that I made some notes about values and I've used a value scale to match them.
Also, notice that I've been pretty careful to do this value study in the proper ratio for the canvas I will be using.
There's quite a bit of sketching in preparation for the beginning of a new painting! But, all this will pay off as you get started!
I have decided on a 12x9" canvas - and I'm using a linen panel for this. The linen is a pleasure to paint on - it has some tooth, of course, but a wonderful surface for the paint.
In the photo below, I've made a few little marks to note where the convergence of thirds is on the canvas.
Keeping the "Rule of Thirds" in mind will help me compose an interesting arrangement. I'm not really diverging too much from the actual scene, but I'm looking to arrange things so that the eye moves through the composition and doesn't get lost or bored or move out of the picture completely.
The Rule of Thirds essentially says that the eye would like to see something interesting, compositionally, where the 1/3 segments of the picture plane converge. So, there are 4 such spots on the plane. Utilizing one of them will be a good thing to do. There's much more to compositional rules, of course, but this is a relatively easy one to observe.
Using a light touch, I've drawn out a very simple and very minimal line drawing of the composition. It's a little hard to see, but if you look carefully, you will see that there is a tree lying along the 1/3 marks on the left side. I've used a 5B pencil to do this and am only marking the larger shapes.
Now, I'm ready to start the under painting! Not every painting starts this way, but I like the effect and I think it helps resolve the whole idea of correct values. I've used a combination of thinned Transparent Earth Yellow and Chromatic Black (both are Gamblin colors) to get a very neutral tone to start laying in values. This will be a monochromatic under painting, so I'm only looking at values at this point rather than local color.
Because I'm working with thinned paint, its pretty easy to correct shapes - and even values - if I put something in the wrong place or I need to lighten values. You can see my start above. And a little more work on proper values in the photo below.
Now, I will let this dry and check again for proper values. Once I'm satisfied that I have gotten the values down correctly, I will start working with color.
That will be another post!
I hope this has been interesting to see a process! And it truly is a process!
I don't really know of any artist who just sets up their canvas and palette and paints successfully without proper preparation. And - the several hours that this has already taken to work through is just the beginning! There will be more hours of analyzing color, mixing proper values of those colors, and applying the paint.
Check back in a few days to watch the progress of this one. There are some lovely passages of blues and greens that just capture the imagination and stir the heart with the beauty of God's creation!
$180.00 (Ready to frame) (Please add $20 shipping in the US, IL residents please add 8% sales tax)
Winter is unrelenting. Gray, cold... the colors of our world seem to recede, which is why a painting of vibrantly colorful flowers seemed like just the thing to paint (especially, when weather does not permit getting out to paint landscapes!) This color filled painting in warm tones of red, peach & yellow is ready to ship and hang! Let me send you a little spring time this winter!
If you look backwards a couple posts, you'll see the beginning of this painting . It's still not completed, but I'm making progress.
It's been quite awhile since I've done a floral still life - and it's interesting to me that even though I've done many florals, it feels a little rusty on this genre. Nevertheless - these are joyful blooms and that's just what is needed in this bleakly cold time of year!
I will be posting the finished work soon! And, I'm already thinking about my next landscape... I miss the beauty of bigger vistas, I think!
Several years ago, I visited one of my favorite gardens in the US ~ Descanso Gardens in California. What an inspiration! On this particular morning, shortly after a short morning rain shower, the white lilies were turning their faces to the sun with a few rain drops still remaining. So lovely! In fact, several paintings came from that visit. This one is done on Yupo paper, which give such interesting effects. I love how the paint pools and blends in an almost abstract way, just as the rain drops left their trails on the flowers.
I'd love to send this painting to it's new home. Perhaps you have just the perfect spot for it!
I've just started a new painting - this time a floral. It's been awhile since I've worked with florals, yet they remain an interesting subject. At the top, you see a value study. I actually began with some thumbnail sketches - and then created a value study from the one I decided to use.
The lower image is an oil sketch - showing the general shapes and values.